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The most distant mountains are oversprayed
with an opaque blue-gray to push them back further. Next the closer mountains are painted
with less blue. Rennaisance painters discovered that as objects are farther away, they
appear to desaturate and turn blue. |
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Foilage begins using alternating light and dark
greens. Note that the helicopter is covered to protect it from overspray and errant drips
of
paint. |
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The next step is to spray in the rocky
area to the right of the foilage. |
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Helicopter is still covered with paper and a
transparent frisket mask while thewaterfall and surrounding rock is rendered using a
conventional brush. |
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The rock foundation is rendered using a conventional brush. |
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Note how the rocks beneath the Apache are
lighter at the bottom and fading up to darkness. This is due to the light that is
reflecting off the water. |
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Closer proximity rocks are developed using a
conventional brush. |
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The next step is to spray the shadow area on
the rocks on the right , leaving lighter areas to indicate where sunlight is cast. |
